What are you paying for? If it’s for an item that is physically being shipped to you, then by all means continue!
But if it is for digital art, please reconsider!
This means that paypal is expecting me to ship a physical item to you!
And the more…
when you want to draw but youre too stressed to do well on commissions and too guilt laden about the commissions thing to draw personal art so you just become an ouroboros of procrastination and anxiety
WHATEVER, tired of working on this thing. Was supposed to be a dumb doodle anyway. Ugh. Bonus: found a fur/hair brush I enjoy.
Art of a friend’s Draenei shaman, Akhtari.
im not even an artist and these prices are hurting my feelings
This is what I have to dig through every time I look for new jobs to apply for.
For non-artists, let’s give you a little perspective.
For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.
That’s if it’s a simple illustration.
My art deco or more detailed stuff can take 20+ hours each.
Even simple, cartoony things still take at least 3 hours.
Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour.
Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.
I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.
In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.
Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.
Such baby bullshit. Don’t even get out of bed for these rates.
If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour.
After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined?
And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad.
Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.
And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.
10 Dollars for 1 minute of animation. Oh my god my heart. It took my team 6 months and a team of 12 to make a 4 minute short.
I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!
Titlecard drawn for my friend Refleksy’s new Dota 2 video: Why Lion is My Favorite Dota 2 Guy!
I’m hard at work, trying to finish it all! Today was a lot of painting, first with mod podge and then with actual paint (I should post a picture of my hands, they’re practically black). Painting gets old, but it’s a welcome change to all the paper-mache! I get bored if I have to do the same thing for too long.
I can’t afford to lollygag, though, it’s less than a week to the Con! After all this is done, I still have gloves, mask, and possibly boots to polish up, and a staff to make too! I prepped it today, and will start blogging it tomorrow, so stay tuned ;3
9 days to go until SDCC and I’m not dead, I promise!
Sorry for yet another unannounced hiatus, folks, but this time I have an excuse! With my boyfriend and one of our best friends, I’ve moved into my very first apartment! So no more spacious garage workshop (or using my mom’s fancy sewing machine) but we do have a huge balcony for messy stuff and I’ve got a big closet just for storing costumes, which I’ll show you all after the con.
We’re going to put Arthas on the back burner until Blizzcon since boyfriend won’t be able to go to SDCC, and now the focus is on repairing my Dark Coven set, plus adding a few cool new things to it. This is kind of my cosplay magnum opus, which I wore to Comic Con last year, and hope to enter into the costume contest this year at Blizzcon.
Unfortunately, as a poor student, I can’t really afford more durable materials like Worbla and Wonderflex, so some parts of this set got pretty beat up at the show last year. I’m going to be going through all these over the next week and a half, touching up and generally trying to make this stupid thing more sturdy! First up is all my poor craft foam edging, which I’m coating with paper-mache and re-painting.